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Guns 'n' Roses - Unlicensed Live Vol. The band formed in Holly Australian - Hot City Bump Band was one of Australia's first soul-funk bands, and they were one of only a handful of groups S , They were the pioneers of stoner rock, a supergroup who should have been super-massive. But somehow Captain Beyo Various International Artists Posted by AussieRock at PM. Unknown September 22, at AM.

AussieRock September 22, at AM. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Welcome to the Canteen Review by William Ruhlmann. Track Listing. Medicated Goo. Sad and Deep as You. An anti-whaling song with a hard edged bitterness, superlative playing from Pete Carr and The Horns producing some of their most definitive and characteristic contributions.

His meat is in your make up, his flesh is on your lips, as a nuclear warhead explodes in his hips. Harry Robinson is drafted in once again to provide the string arrangement on the soulful ballad Yellow Sun. Carr's dobro slide guitar provides an Americana feel with a fine lead vocal by Capaldi and backing vocals from the pseudonymous Potato Smith and Laurence Peabody - speculated as being Capaldi and Winwood, although I have my doubts.

The song is typical of the era but with a graceful melody it passes muster. I've Got So Much Lovin' features some marvellous female backing vocals, which sadly go uncredited in the booklet, but sounds very like it may be the prolific backing singers Irene and Doreen Chanter who, along with Liza Strike, enhanced so many records from the s.

The expansive sax gives the number a sleazier feel but overall the energy and enthusiasm of the performance is a delight. First of the two standout tracks on the album is Low Rider. A looser, more relaxed feel prevails giving extra space for Carr's guitar work to shine through and a more biting string arrangement to take a more upfront role.

The closing jam would have been great live and worthy of inclusion on Traffic's On The Road live album. Unfortunately My Brother is marred by a terrible sounding synth which dates an otherwise decent song, suppose it was cutting edge at the time but, unlike for example the Mellotron, some of the early synthesisers just sound cheesy and pathetic to modern ears.